Changes
Changes goes back a long way, since messieurs Tesluk and Taylor have known eachother since the late 1960′s. After a few years of cooperation, the band split up, until the reunion in 1994, on the initiative of Michael Moynihan, known to most as the man behind Blood Axis. We can therefore in a way consider Tesluk and Taylor as the grandaddies of neodolk. With this CD, they prove that they have no trouble of joining in with the new generation, in spite of their age. Songs like “Mahabharata of the Soul” and “Anthem to Freedom” express a slightly militant tone that goes along well with the music of many younger artists, while “Flame” and “Shenandoah” show a more delicate side of the band. The closing track “…And Finally” reminds one of Boyd Rice‘s work, being a long speech over industrial/ambient backing. The atmosphere is, as mentioned, slightly heathen-revolutionary, and will appeal to many in the neofolk scene. Other (myself included) will probably sense a little more distance to this particular feeling. But, in any case, it’s very well done musically.
Andrew King is a different case. This Englishman presents traditional songs in a personal treatment, besides a well-succeeded career as a visual artist. His voice is quite idiosyncratic, and a case of “love it or hate it” – I’m one of the lovers, by the way – but don’t be put off! In this CD we are offered over 30 minutes of this, and it is worth the effort. “Two Brothers” is a tragic ballad about two schoolboys, set to a minimalist accordeon backing. Andrew’s aggressive tone suits the sometimes painful lyrics very well. “Dives and Lazarus” is more subdued, with an organ backing this time. “What is the Life of a Man” is completely a capella, and a fine example of how simple folk songs can still touch you in this modern age, besides transferring primeval wisdom. “Kommer I snart, I Husmænd” is a Danish song, and Andrew apologises for his pronunciation of the language, which is difficult for non-native speakers. Well, I’m willing to be that many artists would fare many times worse than King. The song itself is a rousing anthem, inciting smallholders to rise up against their landowners. But the best is saved for last. “The Farmer’s Toast” is so full of feeling and beautiful rural modesty, that you’d have to be extremely numbed by these cold times, not to be touched by it. The amateuristic instrumentation isn’t a problem at all, when faced with such a conviction in feeling.
Despite lesser points on both halves, this CD is highly recommended to neofolk fans, if you’re able to get it that is. Limited to 500 copies, and sold out from the label, but still available – if you’re quick – from the friendly men of Changes – see their website. This album is also worthwhile for more general fans of folk, if only for the second half, which is essential for anyone who has a heart for genuine tradition.
O.S.